Werckmeister Harmonies
2001 Hungarian drama mystery film
2001 Hungarian drama mystery film
Werckmeister Harmonies (pronounced [verkˈmaɪ̯stɐ]; Hungarian: Werckmeister harmóniák) is a 2000 Hungarian drama film directed by Béla Tarr and Ágnes Hranitzky, based on the 1989 novel The Melancholy of Resistance by László Krasznahorkai. Shot in black-and-white and composed of thirty-nine languidly paced shots, the film portrays the life of János and his uncle György during the communist era in Hungary. It also recounts their journey among helpless citizens as a sinister visiting circus casts a shadow over everyone's lives. The title refers to the 17th century Baroque musical theorist Andreas Werckmeister. György Eszter, a major character in the film, delivers a monologue asserting that Werckmeister's harmonic principles are responsible for aesthetic and philosophical problems in all subsequent music, and should be replaced by a new theory of tuning and harmony. The film was screened in the Directors' Fortnight section in 53rd Cannes Film Festival in 2000. Werckmeister Harmonies opened...
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