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Mickey Mousing
Animation technique that syncs the accompanying music with the actions on screen
Mickey Mousing
In animation and film, "Mickey Mousing" (synchronized, mirrored, or parallel scoring) is a film technique that syncs the accompanying music with the actions on screen, "Matching movement to music", or "The exact segmentation of the music analogue to the picture." The term comes from the early and mid-production Walt Disney films, where the music almost completely works to mimic the animated motions of the characters. Mickey Mousing may use music to "reinforce an action by mimicking its rhythm exactly. Frequently used in the 1930s and 1940s, especially by Max Steiner, it is somewhat out of favor today, at least in serious films, because of overuse. However, it can still be effective if used imaginatively". Mickey Mousing and synchronicity help structure the viewing experience, to indicate how much events should impact the viewer, and to provide information not present on screen. The technique "enable[s] the music to be seen to 'participate' in the action and for it to be quickly and formatively...
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